It’s happened. I’ve been swept up in the great eBook debates, along with the rest of the brouhaha that’s taking place in the publishing industry right now. And you know what? I’m not nervous or overwrought, I’m not wringing my hands or wiping down my forehead.
I’m excited!
When I went to Europe about a decade ago I had several moments-on-the-hill (‘epiphany’ would be to strong) and one of the major ones was this: when the pendulum swings too far in one direction (digital, digital, digital!!) it’s likely to swish back and find it equilibrium. I’m excited by the new things we’re seeing, by the meta discussions especially.
The meta-discussions happening right now (about publishing, mainly) will simmer down as soon as we land on the technology that fits, but until then – all this visionary chatter is so inspiring and energizing.
Eventually we will accept (and not panic) that the Internet is what it is, does what it does, and like TV, it doesn’t contain all the answers or all the most wonderful nand meaningful things in the world. It doesn’t have everything. It’s limited.
Until then – I’m thrilled to feel so passionate about all of it.
If social collaborators are potential buyers, and are somewhat representative of the demand, the supplier/artist/creator can probably assume that the sea of collaborators (demand) is as infinite as the sea of ideas (product).
Not that every product will be a success, but maybe the demand is as fluid and malleable as the supply. Just as I can reinvent my product a hundred times, now we can reinvent our audience a hundred times. It’s infinite.
This is reassuring to me as a writer with an unpublished novel. A few years ago, the timing for market-entry would have been paramount – my book would be introduced to the world at point A and deemed big success or big flop by point B. There was very little that could be done “post” the point B milestone.
But now – I’m contemplating multiple launches (all free, of course), approaches, and demographics. My work might click at any one of an infinite number of points in time or ‘place.’
Add conversation to the mix, and there’s another way to continuously promote and introduce it. The conversation itself becomes the ripple in the pond. The product is the stone. And I can drop it in the water as many times as I want, and there will always be different appetites and opinions in the infinite stream.
If every day brings fresh supply AND demand, any ‘final product’ can go public in tons of different ways. Many junctures. Many opportunities.
What used to be elusive (is there a market for my work? Who knows!) is starting to seem like something tangible and reactive – not quite transparent, but definitely…within reach. I like the idea of dropping something into the stream and seeing if it gets nibbles – and then trying it again a different way, at a different time.
It’s making me think that for good content/art, there is an infinite supply of demand – Fluid and responsive and capable of maturing or regressing or rebelling.
In a market where artists and collaborators (more crassly – supply and demand) are starting to move together, or at least closer to each other, (and talking to each other!) the relationship becomes so much…better.
I know that it sounds absurd, and 6 months ago I would never have had such a thought. But then I started using Tweetie on my new Mac (at my new job) and started really getting into searching people out and following individuals who are doing or saying or referring to things that interest me.
The stream of consciousness that you build is no coincidence. It can tell you something about who you are and who you want to be. Funny? Smart? Out and About? Random?
I’m very selective with the tweets I want to see, for example, I don’t to see too much of one person in my feed, I’d prefer it to be a nice balanced mix of people. And I like to see some business and some pleasure – not all deep stuff and article references, but some emotions, some random expressions of frustration. Whatever.
Ok, this is sounding less meaningful by the minute. Back to my original point. Follow the people and energies you want to bring into your life. Follow your inspirations. Follow people who are doing something you’d like to do… and everyday, they’ll feed your own life’s vision.
The world is there for the taking.
When Maureen Dowd refers to “Web sites like Google” in her NY Times Op-Ed, I instantly cringe. Nobody puts baby in the corner calls Google a Web site!
If journalists don’t want to be dinosoars, they shouldn’t act like dinosoars. Common journalists, pony up.
This is not the first time that I’ve found hints of ludditism lurking in a journalist’s point of view, as they openly express their disregard for the new world order (the Internet) they say leaves them behind.
Personally, I’m thrilled that new-world journalism will be based on merit, likeability, relevance and community. Journalism is coming back into the hands of the people, losing its smug elitism but not its edge – supply is ample, and so is demand – it’s just that now the demanders have a lot more to choose from. Including the option of writing their own supply.
What’s elitist now, as my partner pointed out lastnight – is technology itself. That’s where the fancy phrases and the culture-leading opinions are coming from. Don’t know what a retweet is? hint: It’s not a spa day with a lisp.
So journalists, recall that day 10 years ago when you sneared at the Internet and secretly laughed at the imposter “online journlist” at your company.
Their world has triumphed, and now it’s your turn to try to fit in.
Cerebral satisfaction, like intellectual foreplay, is only half the story. Enjoyable, but incomplete.
I’ve decided. I’ve been convinced! Digital is going to be a big part of publishing life, even for fiction, but not the whole shabang.
I’ve been reading a ton about the effect of social media on publishing, and I think there will be lots more that I have to say on the matter. For now though, I want to weigh-in on the biggie. What becomes of the real live book?
My prediction is that proper bound lit (real books) will follow the vinyl path - not completely, but kind of! – with book sales dropping drastically for a while. But ultimately, people will never bond to e-books, and real live books will remain man’s best friend. Books on the go will be supplemented by books for show, and tell, and sharing and touching. Books are hot. HAWT. Books are sensory experiences that will never be replaced. Never. And who doesn’t love a bookshelf? I remember a time when I would bring dates home and show them my bookshelf. Ha! But I was proud, and at that time, the bookshelf defined me.
People are concerned that youngsters aren’t reading enough. You know what? They will. They will crave meaning and answers and guidance, and they will turn to their cultural and intellectual ancestry – literature.
Will I read a book on my iPhone (when I get one), yeah, I will. But I’ll also buy the hard copy. And if (ahem, when) I was boss I’d sell them together. For my own book – I’d like it to be a package deal. You take my novel on the subway with you in the morning, then at night you check the page you were on and pick up the real thing.
Books will be around forever. Satisfying experiences never die - they are all too rare. For the same reason that I’m on the hunt for a turntable, books will never go away. They’re just to awesome. Like records! But the other side is convincing. See what you think after watching this. (not so much about literature, but deifinitely about the new groovy new trends in publishing.)